Inaugural Tattoo Festival in Hawaii

Journalist, Liz Nakayama, of the Hawaii Tribune Herald wrote an interesting article about how there has never been a traditional tattoo festival on the Big Island or even in the state of Hawaii. That is until now…

Hawaii’s inaugural Traditional Tattoo Festival is slated for Oct. 25-28 in Kohala on the Big Island of Hawaii. The celebration will feature demonstrations by eight master indigenous tattooists and artists from throughout the Pacific, Arctic and First Nation Regions of Canada.

An opening celebration is planned Friday evening, Oct. 25, at the Blue Dragon Tavern &Cosmic Musiquarium in Kawaihae, followed by a free all-day cultural fair Saturday, Oct. 26, in Hawi. The festivities culminate with a two-day symposium for traditional tattoo artists and practitioners Sunday and Monday, Oct. 27-28, at the Kohala Institute’s GRACE Center in Kapaau.


Given the deep cultural and spiritual significance of traditional tattoo, it seems appropriate that the idea to have a festival came to the organizer, GRACE Center manager Joel Tan, in a dream. “In my mind, I’ve thought about it as a kind of calling together or gathering of the cousins,” Tan said. “The festival is about bringing together indigenous culture bearers and indigenous artists to share their manao, or knowledge, about current practices that tie us to the past, present and future.”

Traditional tattoo provides an entry point into something much older than us, Tan explained. “A lot of our kupuna have walked before, so I think reconnecting to that is so important for the future.”

An impressive list of cultural practitioners and master artists have bought in to his vision, agreeing to travel long distances to Hawaii to participate. “These are people who, as culture bearers, are really leading the way in light of today’s deepening divides, both socially and politically,” Tan said. “They are great artists; people who not only do tattoo but who start education programs for their communities and train other cultural practitioners. They have something important to show us around reconnecting to our own native self. It’s a good reminder of what we need right now.”

Featured practitioner Keone Nunes from Oahu is well-known for his work in reintroducing the art of the traditional Hawaiian tattoo, called kakau or tatau. “Kakau gives mana (spiritual power) to a person,” Nunes said. “The tools (I use) are conduits and the experience is connected to the ancestors. This gathering is an extension of spirit, and all who join in will be able to receive mana and transform.”

“Tattoo is one of those things that can bridge,” Tan said. “For younger people, it’s exciting. It’s a body thing, it’s kinda forbidden and it’s also trendy. My thought was to take that excitement and pair it with the deeper meaning of tattoo.”

And with traditional tattoo, that deeper meaning is far more than skin level.

Traditional tattooing is a long, thought-out and inherently painful process. Using a mallet and tattoo comb dipped in ink, a trained tattoo artist taps designs into the skin following simple marks as a guide. Different types of traditional body marking include hand tapping, hand poking and skin threading.

Meeting with a trained practitioner is a critical first step, Tan explained, as that is when and how you learn about your family lineage, and lineage is one factor that informs what the tattoo will be.

“The tattoo becomes the symbol or the visual communication of what your life mission is and what you are all about,” Tan said. “Just like an organization has a mission statement, your tattoo is your mission statement. In the end, it’s coming to that deeper understanding of who you are and your connection to the aina and your ohana that creates the design. The tattoo you end up with is in some ways a byproduct of the process you go through — a painful process both literally and figuratively — to connect more deeply with yourself and your kupuna.”

While the symbols of cultural art differ and vary across cultures, the underlying theme is learning about and making a connection with the patterns that connect us. “Indigenous art is unique in that it’s an art practice across genres directly tied to spirit,” Tan said. “That’s its power.”

For more information and to purchase tickets to the event, please click here.

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